Cover for the Sword and Sonnet anthology: a battlepoet, armed with a large book and a fistful of fire, faces away from the viewer in a flooded library. Something scaled and monstrous moves through the knee-deep waterIt is an all-too-rare delight to write something with a specific aim in mind and have that pan out. To sell something where you hoped to sell it. To be involved in a project you desperately want to be a part of. And, more than that, to have the story come out the way you'd hoped it would, when it was just a shining, nebulous dream in your head, a shifting canvas of possible scenes and emotional moments.

Because most of the time when I actually sit down to write, that floating cloud of possibility resplendent with golden sunlight and soaring birds collapses into a slightly dreary grey raincloud low overheard. A Tuesday sort of cloud. There's something particularly banal and dull about Tuesdays, even more so than Mondays. By the time you get to Tuesday you can't even muster the energy to hate it. That sort of cloud. Anyway.